WILL YOU COME WITH ME?

A Berlin born little story… The city which fools you with its liberated outlook, tends to give you a slap in the face when you get into intimate relationships, only to find out that things still aren’t so different then they were in the dark days of the past, when women had take responsibility for not only their actions, but also men’s, and had to bare the consequences all on their own…

The film is calling the audience to remember that women’s right to their own body, right to abortion and the (intersectional) feminist struggle are unfortunately and absolutely not issues of the past, but very present and burning issues and that not only women, but everyone should stay in solidarity.

Director: Derya Durmaz
Germany, 2022
1:56 min

Derya Durmaz was born in Esslingen, Germany and raised in Ankara, Turkey. She studied Economy, Human Rights Law and Acting. Her 1st short film “Ziazan” received Armenia Turkey Cinema Platform Best Project Award, participated in over 45 international festivals, won 11 awards and received full coverage in the Washington Post and Monocle magazine.  Her 2nd short film “Mother Virgin No More” premiered at the 65th Berlinale Generation 14plus Short Film Competition, participated in over 25 international festivals and was screened at the Berlin based institut ngbk’s ’77-13 Political Art and Resistance in Turkey’ series of events. Both films’ world sales and distribution were acquired by Kurz Film Agentur Hamburg. 

She was selected to Toronto Film Festival TIFF TALENT LAB and to BERLINALE TALENTS. With her 1st feature film project “The Bus To Amerika”, she was selected to FIRST FILMS FIRST – GOETHE INSTITUT YOUNG DIRECTORS ACADEMY SOUTH EAST EUROPE, Festival des 3 Continants Nantes Produire Au Sud program and to GLOBAL MEDIA MAKERS Program of LA based FILM INDEPENDENT. The project received grant from GERMAN TURKISH CO-PRODUCTION DEVELOPMENT FUND, got selected to 14 international coproduction markets and platforms including Paris Co-production Village, won TALENT HIGHLIGHT AWARD of BERLINALE CO-PRODUCTION MARKET and was among Wscripted’s list of “Best 25 scripts in English language by female filmmakers to option at Cannes Film Festival 2021”.

Her interdisciplinary performance projects "DDS! Discipline, Dominance, Submission” and “The Fallen Gender” which looks into gender equality and questions gender roles identified by the society, received funding from BBK Bundesverband (German Federal Association of Visual Artists) ’Innovative Arts Project Fund’ (2021) and from the Federal Government Commissioner for Culture and Media Neustart Kultur Stepping Out Program (2022). DDS! was selected to PAF (Performing Arts Festival Berlin) and to the Exp(L)o(RE) section of English Theatre Berlin’s EXPO festival. In 2021, she also participated in the performance project Ciegxs, funded by Berliner Projektfonds Urbane Praxis, as dramaturg, art director and performer.

As an actress she worked with Persona Theatre from Athens and took stage in Greece, Turkey and Iran. She acted in over 10 feature films – such as “Blue Wave” which competed in 64th Berlinale – and many Turkish TV dramas which aired internationally.

In line with her degree in human rights, for over 10 years she has been working with international NGOs, UN Refugee Agency (UNHCR) and International Organisation for Migration (IOM) on projects related to refugees. She also takes part in NGO projects related to human rights, youth and arts. Most recently, she designed and coordinated the EU funded “Project for Human Rights and Film Making for Children” which reached over 300 vulnerable children from 14 cities in Turkey and in Amsterdam, and was a consultant for the EU Human Rights Film Days organised by the EU Delegation to Turkey.

Derya Durmaz, Director of Will You Come With Me? (2022)

UNEXPLORED EXPERIMENTS

Movies



  • PLSTC

    Welcome to the world of PLSTC, an undersea dystopia that submerges you in the disturbing reality of plastic pollution. Through a series of graphically confronting AI-generated and hand-composited images, this animated film confronts you with the devastating consequences of our habits on marine life and leaves you gasping for breath....

  • THE DOG’S LEASH

    The bell tower rings and the birds fly away. In the countryside on the outskirts of a small village, a dog tied to a very long rope, watches them disappear in the horizon. It’s time for him to go; and pull on its rope....

  • THE TWO BÉRÉNICES OF RÉJEAN DUCHARME

    In a 1967 interview, a woman named Bérénice recalls her encounter with the reclusive Québécois author, Réjean Ducharme. The main character of his novel “Swallowed” is also named Bérénice....

  • WROUGHT

    A stunning visual exploration of matter in various states of microbial transformation begs fundamental questions about human cultures’ complicated relationships with other species. Wrought begins with that universal moment of disappointment: despite all best efforts, our food has gone bad! But instead of turning away in disgust, Wrought zooms in, approaching the usually hidden world of decay with curiosity and stunning time lapse photography. Spoiling dinner leftovers bloom with successions of geometric bacterial colonies. Yeasts churn and froth in the torrential flood of juice leaking from a decaying melon. Cheese is slowly engulfed by carpets of furry, green mould. But, the narrator asks, would rot by any other name still reek? In answering this question, Wrought unfolds a larger story about the ways humans create categories for the world around us that can be limiting. It explores (and challenges) terms like spoil, ferment, compost and rot as it coaxes audiences to decompose these categories and their associated binaries: self and other, human and non-human, and nature and culture. As the film title implies, we are all forged out of the relationships that transgress such binaries; we are all, indeed, wrought....

  • KINDERGARTEN

    Valeriya tells Yann a story of her childhood while Yann is giving her directions. What we hear is her story, what we see is her silence....

  • FROM OUR SIDE

    History flows, the darkness wets our clothes. ...

  • WILL YOU COME WITH ME?

    A Berlin born little story... The city which fools you with its liberated outlook, tends to give you a slap in the face when you get into intimate relationships, only to find out that things still aren't so different then they were in the dark days of the past, when women had take responsibility for not only their actions, but also men’s, and had to bare the consequences all on their own......

  • THE FRUIT TREE

    In The Fruit Tree a young woman, Sharleece, views a property to rent in the sleepy desert town where she lives, California City. Looking out of the window evokes unexpected memories of her childhood home in Los Angeles....

  • MOTUS

    Motus: a body in motion. A stop-motion animation where conception, degradation and regeneration cohabit in a unique way. A creation on a metal sheet using ethanol as the raw material....

  • WHATEVER MOVES IS ALIVE

    While slugs wander across the kitchen floor, Noémie draws up her sel-portrait, shifting and fragmented, on the edge between the intimate and the hubbub of the world. ...

  • SALINE

    Formed by visual and sound loops, this work explores organic textures related to images shot in Gaspésie in 1966. My grandfather's nervous camera, combined with his fascination for certain innocuous movements, resonates with my artistic practice. An organic algae-based film creation workshop gave me the pretext to play with these images, allowing me to work with the film in an organic and ecological way, but also playful. The workshop offered by TAIS - Toronto Animated Image Society gave me the excuse and the impetus to create this short experiment. Vladimir Konic imagined during a period of confinement, a method to create and digitize a film made from algae. The textures and colors created with these organic inks and films grabbed me. Their combination with recently digitized family archive images came about naturally. What could be more natural than combining images of Gaspésie with textures of algae? The process combines analog and digital technologies, 8mm film and organic film. The soundtrack comes from unused scraps from other projects....

  • LOVE AT FIRST BYTE

    With security camera footage obtained via a CCTV data request, this short distorts reality to embody a missed connection between a lovelorn surveillance system and a passenger....